TOPIC: CHANDLER, DAVID. REPRESENTING THE MAD KING: GEORGE III IN THE CINEMA. JOURNAL OF POPULAR FILM & TELEVISION 36 (SUMMER 2008)
According to this article, Chandler reflects on the significance of mad kings early representations and examines illness of the king itself hence explains the significance of every movie that had to give details on events through its exact era. Moreover, Chandler as well outlines the blow that the illness of the mad king as well as recovery had towards Great Britain within three areas: political effects, attitude change towards monarchy, hence mental illness understanding. Basing the evidence from the article, chandler defends that George III as totally mad; however, the eldest son of the king, Wales Prince, appears the central character in this film (Black, pg. 213). Consequently, George III abuses the prince within his insanity and rage fits. In other words, Chandler continues to suggest that George III representation in part would have stalked from availability of medical understanding at the occasion.
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